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produced by : Artistic Organization Transhistria ensemble
creator and art director, musician Tamara Obrovac www.tamaraobrovac.com
design, video and visual identity: Matija Debeljuh
contact: istra@panphonia.com
  • vol. III
    labinjonska cakavica / ciacavismo dell’ albonese / labin chakavian

CULTUROLOGICAL BACKGROUND

Labin, a town on the eastern coast of Istria, is situated on a hill above Rabac, a strategically important location with a view of the entire Istrian territory. The town is today composed of an older settlement, located on a dominant hill about 2 km from the sea, and a new area situated at the foothill of old Labin, built as a result of the development of the mining industry.

Traces of human dwelling date back to prehistoric times when a Bronze Age hill-fort was situated on this location. In the first millennium BC the Liburni tribe dwelled here but with the arrival of the Romans Labin (then named Albona) became a municipality under the Roman law. Many tombstones and votive altars, one of which is dedicated to the local goddess Sentona, date from these times.

After being governed by a series of rulers the Labin area was subjected to its first Slavic invasions in the VI and VII century and with the subsequent arrival of the Frankish rule it finally enjoyed a peaceful era. The feudal system was introduced, and Labin became one of the first towns in Istria to be inhabited by Croatians. In 1420 Labin came under the rule of the Venetian Republic which was a long lasting one and which was replaced by the Austrian rule that brought rapid development to the region. The exploitation of the mines was intensified; new mining areas were opened along with new roads, schools and hospitals. However, the discontent of the miners was also rising and it culminated in the first miner strikes.

The Italian rule (1918-43) further modernised the town of Labin and the surrounding area, but it also pursued a policy of italianisation of the local Croatian population. Labin's coal industry employed more than 10,000 workers at the time and new settlements such as Rabac and Podlabin were developed. Despite the economic boom and the fact that Labin was an important mining town, the number of strikes and discontented workers was on the rise and so in 1921 the miners instigated a rebellion against the fascist regime. They established the Labin Republic, self-managed by its workers, but after forty days a military intervention put an end to their efforts. This rebellion is considered to be the first ever anti-fascist uprising in the world. When World War II began, the anti-fascist movement in Labin became even stronger and many of its inhabitants joined the partisan movement.

Nowadays the only remainder of Labin's great mining era can be found as a permanent display in its museum. Even before the final downfall of the mining industry and the shutting down of the city's last mine in the 1990s, the city had become a meeting point for Croatian artists, known as the Labin ateliers - Labinski atelieri.

The old Labin is a typical Istrian acropolis-shaped town. In the Middle Ages the town was surrounded by fortification walls, but after the construction of the Dolica neighbourhood new walls and the gates of St. Flora were added. The city is rich in architectural heritage, such as the old patrician palaces built in the Renaissance and the Baroque style. Remains of a medieval fortress are still preserved at the highest point of the city, offering a spectacular view of the town of Rabac and of the bay of Kvarner.